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Friday, September 19, 2008

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According to Crowder himself, it is improper to refer to the band as "The David Crowder Band". The group prefers to omit the article, as they do not want to make the band appear so

definitive and concrete as "The David Crowder Band". The group may revisit this issue if other groups named "David Crowder Band" begin performing and may in fact, should that

eventuality occur, insert "The Original" in front of the band's present appellation.

The addition of the asterisk (*) to the name (rendering David Crowder*Band) is a common occurrence evoking much mystery; however, the band uses this convention only in some

logos. In text on their website and other media, the asterisk is omitted, which only adds to the lore. It is uncertain what the asterisk denotes reference to, or what metaphorical

annotation is intended. The asterisk, however, can be seen on the David Crowder*Band music video "Foreverandever Etc...". No opinions on the asterisk's purpose are reliable at this

point and time, although theories arise from time to time. One theory is that it helps slow readers find their place if, while reading the name of the band, they must leave and then come

back and somehow try to pick up where they left off.

Astute observers concerned with said asterisk have pointed out the similarity of the band's name to Dave Matthews Band, and along with Crowder's Matthews-influenced acoustic

guitar riffs, have suggested the asterisk alludes to a long-standing joke about the band's creativity. This is consistent with the band's writings, which have long-employed witty, subtle,

and self-effacing humor. And while somewhat conjectural, yet the most convincing piece of evidence to surface pointing to the truth in this is the fact that the UBC Band's All I Can Say

has thirty-four tracks, with tracks twelve through thirty-three serving as silent filler tracks leading up to an acoustic rendition of "Come Thou Fount," an oft-overlooked mimicry of Dave

Matthews Band's album Under the Table and Dreaming, which also has a total of thirty-four tracks, with tracks twelve through thirty-three serving as silent filler tracks leading up to the

song known as "#34."


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